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类型:剧情片
主演:摩根·弗里曼 奈杰尔·霍桑 安东尼·霍普金斯 杰曼·翰苏 马修·麦康纳
导演:史蒂文·斯皮尔伯格
语言:英语,门德语,西班牙
年代:未知
简介:1839年,运送黑奴的阿米斯塔德号在大洋上遭遇暴风雨,黑奴们趁乱暴动,将船员砍杀,控制了阿米斯塔德号后试图驶回家乡,然而六周后,他们阴差阳错抵达了美国,幸存下来的44名黑奴被美国军方逮捕,并将面临杀人罪的指控。此时,西班牙女王向美国总统要求引渡这些属于西班牙的黑奴;两名海军军官也宣称黑奴是他们的战利品;另有人拿出了在古巴购买这些黑奴的证明。各方争执之际,废奴会的领袖之一、同时也是船公司负责人的乔德森(摩根·弗里曼MorganFreeman饰)与友人塔培安雇佣了律师罗杰,希望证明这些黑奴来自非洲,从而在废奴观念深入人心的大环境下为他们谋取自由…bbb
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类型:喜剧片
主演:卡罗琳·卡蒂埃 Danièle Croisy Françoise Gu
导演:雅克·罗齐耶
语言:法语
年代:未知
简介:三名年轻女子前往旺代省度假,期间她们办公室主任的出现,导致她们兴致全无,却变成折磨的痛aaa。
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类型:战争片
主演:Martijn Lakemeier Yorick van Wageni
语言:荷兰语,英语,德语
年代:未知
简介:二战末,冬季的荷兰小城冰天雪地,战争让整个城市显得阴霾异常。小男孩米歇尔(马丁·拉克迈尔MartijnLakemeier饰)和同伴跑去一架坠毁的飞机残骸附近玩,却被驻扎的德军抓住,还好米歇尔的市长父亲和德国人关系看起来不错,他很快便被父亲领回了家。 本叔叔的到来让米歇尔兴奋不已,但是本叔叔却警告他千万不要卷入到战争中去。德克在临出发去炸德军的军火库之前交给他一个信封,可是在行动过程中德克被德军抓住。后来米歇尔打开信封,根据信封里的内容,他发现了隐匿在树林里负伤的英国飞行员杰克,米歇尔开始了照顾并帮助他逃走的活动,其间得到了做护士的姐姐埃里卡(梅乐蒂·克拉弗尔MelodyKlaver饰)的帮助。 杰克伤好之后,米歇尔几次帮助杰克逃走的计划都最终失败。而这段时间内,由于有德国军人被害的事情,米歇尔的父亲最终被德军杀害。米歇尔在万般无奈之下,只好找本叔叔帮忙,而本叔叔也乐意帮忙,但是要求米歇尔不再插手此事。 米歇尔看着本叔叔带着杰克和姐姐越走越远,他回想这个冬天的整个事件,发现本叔叔是隐藏在自己家的德军奸细…… 本片堪称战争少儿与冒险题材的经典影片,根据荷兰作家的同名小说改编。本片2009年3月份在阿姆斯特丹举行的Rembrandt年度颁奖典礼中被公选为最佳电影ccc
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类型:剧情片
主演:克莱尔·范·德·波姆 苏茜·波特 Byron J. Brochmann
语言:英语
年代:未知
简介:本片基于真实历史故事改bbb。1942年1月,日本战争机器的铁蹄席卷东南亚。在这里,有一个叫做新不列颠的岛屿上,有一座天主教传教站,这里的澳大利亚护士们克服种种困难的条件,悉心照顾手上的澳大利亚士兵。(文life_is_good@YDY) January,1942.TheJapanesewarmachinethundersacrossSouthEastAsia.Initspath,ontheislandofNewBritain,liesatinyCatholicmissionstation,Vunapope.HereahandfulofAustraliannursestakerefugewithwoundedAustraliansoldiers. SistersofWarisinspiredbythetruestoryoftwoextraordinaryAustralianwomen,LornaWhyte,(nowLornaJohnston)anarmynurseandSisterBereniceTwohill,aCatholicnunfromcountryNewSouthWaleswhowasstationedatVunapope.Althoughtheyweretwoverydifferentwomen,theirfriendshipwouldsurvivetheperilouseventsthatfollowed.SistersofWarisadaptedfromwartimediariesandinterviewswithLorna,SisterBereniceandotherswhowitnessedtheseevents.Thestoryoftheircaptivity,theirextraordinarycourageandtheirwilltoprevailhasneverbeentold.
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类型:剧情片
主演:Vítezslav Vejrazka 米罗斯拉夫·马哈切克 Cestm
导演:法兰提塞·维拉席
语言:其它
年代:未知
简介:dddInthetimeofCounter-Reformation,amillerandhissoncomeunderinvestigationbyapriestoftheInquisition,whenrumorsspreadthattheirprosperitycomesfromworkingwiththeDevil. TheDevil'sTrapisafilmdirectedbyFrantišekVláil,basedonanovelbyAlfrédTechnik,adaptedbyFrantišekA.DvorákandMilošKratochvíl.ItwasthefirstofthreehistoricaldramasthatVláilmadeduringtheCzechNewWave(technicallyheisn'treallyapartoftheNewWave,howeverthesefilmsweremadeduringthesameeraofartisticfreedom),precedinghismorewellknownMarketaLazarová(1967)andValleyoftheBees(1968). Setinthelate16thCenturyduringtheCatholicReformation,intheMoravianKarst,situatedinwhatisnowtheEasternCzechRepublic,ittellsthetaleofamiller(VítezslavVejrazka),andhissonJan(VítOlmer),whocomeundersuspicionandareinvestigatedbyaJesuitpriestoftheInquisition(MiroslavMacháchek),whenrumorsofwitchcraftarespreadbythelocalregent(CestmírRanda),whoisjealousofthemiller'sprosperityanddegreeofrespectamongthelocalpopulace. AsexpectedfromVláil,thisfilmisastunningexperienceallthewaythrough.Fromtheopeningshot,anominousmanipulationofperspectivewithacloseupofamangledfigureofChristdominatingtheforegroundagainstatinyfigureinblackwalkingalongthehorizon,tothebreathtakingconfrontationalfinaleinsidethevaststalactitefilledKarstcaverns,itisawonderfuldisplayofvisualmastery. MaybenotquiteasimpressiveasMarketaLazarová,butstillfullofastonishingimagery.Asseenfromuniqueanglesanddistinctpointsofviewwhichhighlightthedirector'sremarkablesenseofawarenessofframing,motion,andpositioningontheemotionalanddramatictoneofthescene.Themostmemorablebeingarepeatedshotwherethecameraissuspendedandlaunchedwithspeedthroughtheairtowardsthemiller'sdoor. ThestoryhereisasimpleoneandIwouldsaymoreaccessiblethanhislaterworks.Withaconventionalstructureemphasizedasmuchbyitsplotandcharacters,thanbyitsexpressionisticcinematographyorauthentichistoricaldetail.Theeventsplayoutwithoutmuchsurprise,andthereisastrongunderlying,almostsupernatural,mysteriousaspectthatisleftunresolved,infactbarelyexplored,whichisslightlydisappointing,butonlybecauseit'ssofascinatingthatIwishtherewasmore. Actingisgreatallaround.ParticularlythevillainsMiroslavMacháchekasthepriest,castingasinisterandimposingshadowwhereverhegoes,andCestmírRandaastheweasellikeregentbehindallthepersecution.WhileVítOlmerbringsacharismaticleadingmanpresenceinhisroleasthemiller'ssonJan,inlovewiththelovelyorphangirlMartina(KarlaChadimová),whobecomesadangerousobjectofrivalrybetweenJanandotheryoungmenofthevillage. ThefilmalsofeaturestheevocativemusicofZdenkLiška(perhapsthemostprolificcomposeroftheCzechNewWave).InthishissecondofelevencollaborationswithVláil,hiscompositionsareusedsparingly,buttogreateffect,complimentingbutneveroverpoweringascene.Thebestexampleofwhichcanbeheardinanamazinglyshotcelebrationanddancesequenceattheendofthesecondact. TheDevil'sTrapmightnotbeamasterpiece,butitisstillastrongeffort,withafascinatingstraightforwardstoryandaglorioushistoricalsettingcapturedbeautifullybyVláil'sunmistakablevisualprowess.AfineworkthatwouldalsobetheperfectstarterplatetoprepareyourselfforthechallengingfeastofMarketaLazarováorTheValleyoftheBees.Itevenhasaneasytodigestrunningtime.It'sthereforepuzzlingwhythisgemremainslargelyoverlookedandignored.